Mon Coeur S'Ouvre A Ta Voix by Anarkhos, literature
Literature
Mon Coeur S'Ouvre A Ta Voix
You have broken my heart.
You said "don't go; don't love me
and leave me" and pulled me close
to sleep
and my insides were like melting caramel
and I stayed.
I expect nothing of you now;
admit only in the pining early hours that I
want need crave
you still -
and suppressed;
my vivid dreams remind me why oh why it is you
and only you that haunts me.
And when I hear your voice,
your foreign accent familiar as home,
calling me back across the years in dreams
I do not wish for freedom but to step through time
to you.
I
I traded
everything I had for
cheap wine, quick sex,
dirty sheets and sleazy secrets.
Those nights we doubled back and met
on the bus out of town
and those mornings I turned my newly oiled latch
to let you out.
There were not enough,
it was not worth the cost.
II
I sit alone at the very back
of the top deck of the last bus and I think
it's been two years since I last had to try
for a guy and maybe
I forgot how, maybe -
but you do not want me to try,
just to be there when you get bored.
III
To be fair to you;
you warned me, and said I do not care and
I am a shit and
loads of people hate me there because I treat wom
Daring, shocking, out of control.
Throwing men out at five in the morning
so the sheets are washed and warm and dry on the bed
for the boyfriend in the evening.
Tops cut down to here and skirts up to there
so no drink has to come from your bank account
and cruelty as a currency,
unrehearsed, scathing put-downs that cut deeply
and everyone says "you're funny - not many pretty girls
are so funny"
and lies that come so easily
"oh god it was awful - he was so drunk I had to put him to bed"
and then "I wish you were here"
Adding up the numbers, it isn't worth it
and yet you convince yourself it is.
You're alive, you're wanted, you
It's always being uncertain because you are always
what if,
and I could have you if I wanted you.
It's the fact that when everybody taught me to say no,
no one ever thought to mention that I wouldn't want to.
It's that we never even tried,
but there's so much evidence we would have been perfect.
It's that you could be the One but you're just someone
I used to know.
It's that I'm a good middle class girl with matching
crockery and a milk jug and cookie cutters and you slice
through that to the heart.
It's that we make our own fairytales and you were never in mine
and here I am, here I am,
in withdrawal
addicted
obscene
thro
Your phone bills are smaller now,
with no long distance calls to make,
and your car insurance reduced to reflect lower mileage
and all those journeys not made, those roads not taken,
those lanes that you know like the back of your hand -
Left, right, straight ahead, right, right -
are no longer driven. You did not see the bluebells wake
and spring burst forth in the countryside,
did not see the snow on the fields, cold horses in their
quilted coats pawing, nibbling, pawing.
Christmas stamps still tucked in your wallet,
unused,
and fountain pens dried up next to watermarked
John Lewis writing paper
with no letters left to wr
I sit in the waiting room and feel blank.
Once; forever ago, eleven months seventeen days ago,
I was whole, I was perfect, I was new,
I was careless,
I was clueless,
and someone hurt me,
and another dismissed me,
and the damage was done.
Now,
I am wrong. I am damaged goods. I am scarred, and my scars are physical, real,
and tug and twist at my body until I weep and weep.
I opt out
of youth and life and vitality and
freedom and spontenaity and
lose face,
friends,
lose out but cannot join in
because I am ruined.
I tell no one, give up on the doctor, self medicate,
manage. And f
And they say;
to have love like that is the icing on the cake!
but they are wrong.
Love, such as yours,
is the yeast in the dough,
because it enables you to grow into everything you are;
secure, compassionate, humble and full of grace
and joy.
What they never teach you about grief by Anarkhos, literature
Literature
What they never teach you about grief
1.
You will not cry demurely in socially acceptable situations.
Instead you shall perform the walking
howl;
and cry hysterically, calm down, and cry, and calm
as you try to gather yourself on the way to the station.
2.
You will be late for work - you will see the dress you wore
last time you saw your lost one -
and you will hold it and breathe into it as if maybe just maybe
you will smell them or feel them or it will change things
and then find you cannot hold it together while wearing it,
change, and miss your train.
3.
You will find this happens over and over and you buy new things
so that they are not 'oh I wore this with
It happened again.
One day; something
but the next day, not.
You were fun, secret, an unrolling spool and now
you are not.
I shift,
restless,
and think who next?
Mon Coeur S'Ouvre A Ta Voix by Anarkhos, literature
Literature
Mon Coeur S'Ouvre A Ta Voix
You have broken my heart.
You said "don't go; don't love me
and leave me" and pulled me close
to sleep
and my insides were like melting caramel
and I stayed.
I expect nothing of you now;
admit only in the pining early hours that I
want need crave
you still -
and suppressed;
my vivid dreams remind me why oh why it is you
and only you that haunts me.
And when I hear your voice,
your foreign accent familiar as home,
calling me back across the years in dreams
I do not wish for freedom but to step through time
to you.
I
I traded
everything I had for
cheap wine, quick sex,
dirty sheets and sleazy secrets.
Those nights we doubled back and met
on the bus out of town
and those mornings I turned my newly oiled latch
to let you out.
There were not enough,
it was not worth the cost.
II
I sit alone at the very back
of the top deck of the last bus and I think
it's been two years since I last had to try
for a guy and maybe
I forgot how, maybe -
but you do not want me to try,
just to be there when you get bored.
III
To be fair to you;
you warned me, and said I do not care and
I am a shit and
loads of people hate me there because I treat wom
Daring, shocking, out of control.
Throwing men out at five in the morning
so the sheets are washed and warm and dry on the bed
for the boyfriend in the evening.
Tops cut down to here and skirts up to there
so no drink has to come from your bank account
and cruelty as a currency,
unrehearsed, scathing put-downs that cut deeply
and everyone says "you're funny - not many pretty girls
are so funny"
and lies that come so easily
"oh god it was awful - he was so drunk I had to put him to bed"
and then "I wish you were here"
Adding up the numbers, it isn't worth it
and yet you convince yourself it is.
You're alive, you're wanted, you
It's always being uncertain because you are always
what if,
and I could have you if I wanted you.
It's the fact that when everybody taught me to say no,
no one ever thought to mention that I wouldn't want to.
It's that we never even tried,
but there's so much evidence we would have been perfect.
It's that you could be the One but you're just someone
I used to know.
It's that I'm a good middle class girl with matching
crockery and a milk jug and cookie cutters and you slice
through that to the heart.
It's that we make our own fairytales and you were never in mine
and here I am, here I am,
in withdrawal
addicted
obscene
thro
Your phone bills are smaller now,
with no long distance calls to make,
and your car insurance reduced to reflect lower mileage
and all those journeys not made, those roads not taken,
those lanes that you know like the back of your hand -
Left, right, straight ahead, right, right -
are no longer driven. You did not see the bluebells wake
and spring burst forth in the countryside,
did not see the snow on the fields, cold horses in their
quilted coats pawing, nibbling, pawing.
Christmas stamps still tucked in your wallet,
unused,
and fountain pens dried up next to watermarked
John Lewis writing paper
with no letters left to wr
I sit in the waiting room and feel blank.
Once; forever ago, eleven months seventeen days ago,
I was whole, I was perfect, I was new,
I was careless,
I was clueless,
and someone hurt me,
and another dismissed me,
and the damage was done.
Now,
I am wrong. I am damaged goods. I am scarred, and my scars are physical, real,
and tug and twist at my body until I weep and weep.
I opt out
of youth and life and vitality and
freedom and spontenaity and
lose face,
friends,
lose out but cannot join in
because I am ruined.
I tell no one, give up on the doctor, self medicate,
manage. And f
And they say;
to have love like that is the icing on the cake!
but they are wrong.
Love, such as yours,
is the yeast in the dough,
because it enables you to grow into everything you are;
secure, compassionate, humble and full of grace
and joy.
What they never teach you about grief by Anarkhos, literature
Literature
What they never teach you about grief
1.
You will not cry demurely in socially acceptable situations.
Instead you shall perform the walking
howl;
and cry hysterically, calm down, and cry, and calm
as you try to gather yourself on the way to the station.
2.
You will be late for work - you will see the dress you wore
last time you saw your lost one -
and you will hold it and breathe into it as if maybe just maybe
you will smell them or feel them or it will change things
and then find you cannot hold it together while wearing it,
change, and miss your train.
3.
You will find this happens over and over and you buy new things
so that they are not 'oh I wore this with
It happened again.
One day; something
but the next day, not.
You were fun, secret, an unrolling spool and now
you are not.
I shift,
restless,
and think who next?
I
a woman can fracture open under
unspeakable violence. skin can
tear like the voice can break
and go silent.
a poet can speak of radical honesty,
carefully document a life, and hold
a secret
without believing she broke
her vow,
but in the end, to have grace,
she can speak the words because
another woman stands at her back
and only then is she safe
to say, yes, there was blood
and emotion, but in the end
there were fourteen stitches
threaded through her animal self
that remade a woman who could speak
for herself.
II
a woman can choose to allow
her own destruction.
her body becomes self-obsessed
in an ocean of pain an
she is married to a monster,
cleaves unto him in the dark.
does she regret her choice, creep
away in the night to sit alone by the windows,
watch the stars. does she know or even
care what those hands, heart, body has
done before she knew
him, there as the sky lightens toward grey
she lashes out at the world, carefully,
precisely, knows everyone's secrets
but her own.
It's a big deal.
Just a weekend, just two days. Just ten weekends.
Just until Christmas but I'm still wearing shorts,
sitting on the porch.
The floor will numb my crumpled legs, I short myself on meds during the week
because the need to not feel those days is all I have to hold on to.
It's about control, about the hours since those doors slammed behind me, since I got up
off that floor, since I held my daughter in my arms.
I know you will be there for me, how unfairly you will open your home
to chaos, that someone should be lying by your bed until you fall asleep,
that those things I took were just things, but
they were expression
Rolling your eyes does not count
unless you actually see the ceiling
like a storm does not count until you see the silver
underneath the maple leaves,
flashing upwards.
Death does not count until you begin to write a letter
to the deceased, say is instead of was
when you are done with grieving you hear the birds
call to each other as night falls,
you pull the blankets up to your chin,
you sweep the stairs
slowly,
remember the things you read in a book that has never
had its heart broken,
feel the loss of grief like a physical wound,
beginning again.
You are angry,
there are purple flowers on the windowsill, you are
angry, the fan hums softly, your limbs are soft against
each other, collarbone unfolding like the bow
of a violin. There is a power in anger, there is a light
burning against your ribs, you cannot speak these words
in a known language.
There is an escalation in the forming of self, you draw
the pieces in a poem, you fit them together like the building
of a person, dissect and identify, you write notes in the margin
of your fingers, there is a method of bombs
bursting against the sky, pictures in the clouds,
the world will bend itself around you, you are angry
lik
i
They say you know you have forgiven a person
when you stop telling your side of the story
and start telling the truth.
ii
At first, I thought: 'it can't be normal
to hate a person so much you hope they die
in Afghanistan.' But then I realised that when they say
hell hath no fury like a woman scorned
they aren't saying it for shits and giggles.
So now I'll say it:
I hope you get shot in Afghanistan.
iii
No. I cannot forgive you.
Not while I still want
your hands in my hair and
on my breasts and hips and
back and undoing my dress
and your lips kissing every
inch of my skin.
I simply cannot forgive you.
iv
I ke
So I lurk, and I read your comments but I don't write or reply. I'd say it was because I was busy - and I am busy. But it's more than I feel like all my creativity has been sapped away and I feel too lethargic and sad to do anything.
Maybe in the future.
And they won't give it back! They owe me around £600 ($1000) and I really, REALLY need that money but because of all the bank holidays it's going to take WEEKS to get it and I want to buy things like curtains and a table!
Aghhhhhhhhhhhhhhhhhhhhhhh moving house is so fucking pricey!!!!